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Showing posts with label stenography. Show all posts
Showing posts with label stenography. Show all posts

Saturday, 7 February 2015

WordPress Daily Prompt: (Your Thing) for Dummies


Take a complicated subject you know more about than most people, and explain it to a friend who knows nothing about it at all.



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The only complicated thing I do today is “Walking on snow” which I avoid when possible. There are no rules, there is no way “How to”. We are basically all dummies on snow, so I decided to leave this subject to someone that can do it, like the Yeti.

On the other hand I could give you all a dummy course in stenography. You know the quick way on how to jot stuff down that someone is dictating. If you were attending a political summit conference and the powers that be are deciding to slice up some significant country, then it is important to get it all straight in the notes. What did you say? Oh, today is the 21st century and we don’t have to take notes, we have other means like iStuff. I know so we will go back in time when the “i” was not yet invented, the pre “i” days, when I was growing up and we had to depend on our intelligence.

Stenography is a means of writing to save time, and so you only write what you hear. If you have hearing problems, then go back to knitting or other complicated things like handwriting and don’t bother. So where were we, yes? The dots and dashes are for vowels and the little lines and curves are for consonants. Of course they are not just dots and dashes and it depends on where the dot is for the actual sound of the word. If the dot is above the line then you write it higher. It might be on the line and in some dark cases it is below the line. This turns the word, as an example into “bat”, “bet” and “beat” adding the lines for a “b” and a “t”, although the lines are often halved when writing a “t” or “d” meaning that you only really have to write the “b” in a halved size. Are you with me? Of course, we are all dummies and dummies recognise dummies. Not all consonants are lines, some are curves. Oh I forgot, use lined paper and a pencil when writing. The pressure on the line is important. A “t” is a light stroke, but a “d” is a heavy line, bold and shouting to be heard.

Writing the word “love”, you will begin the word with a curve, being an “l”. Love is writing on the line and the “v”? Yes that is another simple step, the “v” would be a little hook at the end of the “l”. If you had been loveD, it would of course be a half curve and if you had lived, well that is another kettle of signs. It would be written as an “l” with a little hook and beneath the line, and the “l” is halved in its size. This is fun, I am sure you are enjoying it all. Now we can progress to shortening the shorthand, to clarify things and speed it up considerably.

“Thank you for your letter” is often the beginning of a correspondence, but as this phrase often occurs we swing through the words with curves and only write “thank for your letter” all in one outline. As “letter” has a “ter” at the end the sign is doubled. As we are now at the advanced stage of shorthand, we have began to omit the little dots and dashes for vowels as we recognise the word by its outline. What did you say? I am going too fast. Well shorthand has to be fast. Imagine recording the Gettysburg Address (write Gettysburg with two little parallel lines beneath, because it begins with a capital letter) you would have to keep up with what he was saying. Luckily it was not a long speech, but an important one so it had to be his exact words. 

Shortand can also be applied to foreign languages quite easily as you are only writing what you hear and the exact spelling is applied when writing it in longhand, although a knowledge of the foreign language is required. This could become complicated. The sign for the word “the” in english is a dot on the line and the sign for the word “a” a dot in the air. However, German has approximately 9 ways of saying “the” according to the grammatical case. If you are German this is no problem, but if you are a typical candidate for “the German dummy” you are not too sure of the correct way of saying “the”. It might be der, die, das, dem, des etc. etc. which is not so good if you only use the dot on the line and you would write the wrong word. This also applies to “a” - ein, einer, eines, einem etc.

I think this is enough for today. This evenings exercise would be to write in shorthand the poem Jabberwocky by Lewis Carroll and do not forget, you only have to write in shorthand what you hear.

In the meanwhile I am putting on my special snow proof shoes with the sharp profile, wrapping myself in three layers of quilted jackets and taking my ski poles as support for a walk on the snow. Yes, I agree, that would have been easier. Oh yes I can write Pitmans stenographie, I applied it for many years in my office career and I even passed my exams in the commercial class. It is all a matter of writing what you hear as Sir Isaac Pitman, its inventor, said.

Tuesday, 3 June 2014

WordPress Weekly Writing Challenge: A Lost Art Stenography

Your take on lost arts



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Can anyone read this. I will have a try, it is many years, but I can still write it.

“How are you going to improve your shorthand when you do not have a single extra minute in the day? You cannot make the day any longer although a lot of ………. feel different that you were looking forward to. You were happy to get everything on your list done and be home in time for tea with all the items crossed through as accomplished. If ou get up every early hour  you are then feeling  ….. by the end of the afternoon. The ... way to stretch ones experience of time is through etc.etc.”

Ok, I learnt it when I was 17 years old and that was many years ago. Please forgive some of the gaps, but I no longer have everything in my memory. It is shorthand, stenography, a way of writing: what is said immediately and quickly and recorded by hand. You are working in an office and your boss wants to write a letter. The computer has not yet been invented and the dictating machines are not yet in existence, so what does the boss do? He dictates with words and you write as he talks. No problem, but it is if you cannot write stenography. There were many different systems, but the system I learnt was called Pitmans named after the inventor. I believe in the states a system called “Gregg” was fashionable, but this was more an abbreviation of letters.

Pitmans is written either on the line, through the line or above the line according to how the vowel should sound and there are thicker signs with more pressure and those that are with normal. It had to be written with pencil at the beginning to be able to read it clearly. For a more professional writer, it could be written with pen, if you could read it and that was the idea. Write it but make sure you could read what you had written. I will not go into details, but it is quick and efficient. It is based on the 500 most used words in the English language, and they are not only shortened by shorthand, but in shorthand itself, even more abbreviated. An example “We thank you for your letter” becomes “We thank for your letter” which become four lines, curved or straight. I am not giving here a lesson on how to write Pitmans.

I learned it for a year in the commercial course at school and took my examinations, based on the speed. I hit an average of 120 words per minute, which is not bad, but a fully blooded expert would probably reach 180 words per minute if not more. When the boss is dictating you are not writing what he is now saying, that is being put into your memory box in your brain. You are writing probably what he said a few seconds ago, You are almost always behind, if he is a quick dictator, and the idea is to be able to cope with what he said and what he is saying.

This was the way all good secretaries did their work during the first half of the 19th century and probably into the sixties. We did not have electric typewriters, although they were just around the corner and if you were a chief executive secretary, you might have one. I leaned on a manual typewriter – but I am forgetting typewriters no longer exist, we now have a keyboard.

Is this a lost art? In a way I think it is. Modern office organisation has no room for manual machines or handwritten notes, although to say it is extinct is perhaps not the truth. I can still write it. I worked all my life in an office. My last job was an export clerk, but being an English speaking person in a German speaking environment, my knowledge was often called for if there was correspondence in english. My boss would tell me in German what to write and I would simultaneously translate in my brain and jot it down in Pitmans stenography, English style . Afterwards I wrote the necessary correspondence on the computer, but I had my notes to write from. Perhaps there are journalists amongst us. This would have been the priceless tool of their work and their steno would have even been more abbreviated to get all the facts for their articles.

I could also write Pitmans in German and French, although I had my own system, a little more exact, as these foreign languages were not in my blood.

So RIP steno, but I hope you are not yet buried. I no longer need you, my office working days are past, and I am sure that the younger generation now working in the offices of the world do not even know you existed. I still have my original Pitmans Shorthand Writing Exercises and Examination Test book, from which I learned this strange hieroglyphical writing style. They have never been rewritten, how could they, they are unique.


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