Followers

Showing posts with label Rock. Show all posts
Showing posts with label Rock. Show all posts

Wednesday, 4 September 2013

WordPress Daily Prompt: I am a Rock

Is it easy for you to ask for help when you need it, or do you prefer to rely only on yourself? Why?

Photographers, artists, poets: show us SELF.




Glacial erratic in Feldbrunnen


Have you ever had that feeling you were in the wrong place at the wrong time? Reflecting on my life, it sometimes seems that my destiny was I, me and myself. Of course mum and dad were great. I was unique, the only one, and they taught me how to eat, walk, sleep and be the perfect person I am.

It all really started when it was decided I should be educated. I was quite good at it really. In my first school I managed to work things out with a little bit of help and assistance from mum and dad. It was then the basic addition and subtraction and sorting out mathematical problems which were the necessities of every day survival. Mum did the shopping and had to know how to deal with the job, paying in money and being sure that she was given the right change. This was a case of not looking a fool and not being cheated and so she passed this essential knowledge on to me.
I
Problems began when I qualified for a higher schooling, a so-called grammar school in the British way of life. It was now not just a case of 1+1=2 but (a+b)2=a2+2ab+b2 or something like that. I could actually do all that stuff some 45 years ago, but as the brain ages, so does the memory of how you did it. Naturally mum and dad were totally unable to cope with this game of numbers and letters known as Algebra and so it all began.

There was also the problems that Pythagoras invented to tease the brain in our school days, finding triangles with the squares on the hypotenuse of a triangle with a 90° angle being equal to the sum of the squares on the other two sides, where you finally wrote a Q.E.D. at the end to prove that that was that that was to be proven. How could a mum and dad work that out? Actually dad could, but not how I did it. He had his own way or arriving at a total, being a keen lover of football permutations and having complicated constellations when placing a bet on a horse (horses). He never really lost, now and again won, but always broke even. I was on my Todd (Todd Jones – alone for those not knowing the cockney language) with my scholastic problems and that was now to be the story of my life.

Not forgetting grammatical problems, where the local language incorporated using two negatives in a sentence which definitely did not result in a positive, as such problems were not even realised (example She ain’t got nuffing= She has not got nothing which in the normal way of speaking would be She has not got anything – get me?).

I was not one of those children at school whose parents dealt with life at a higher level. We were working class, doing it all by learning. Some learnt it and some tried to learn it. I was the cuckoo in the nest that had to learn it, with no visible help. And the foundations were laid on how to become a rock, without really wanting to.

The result of this Freudian experience is that I always had to did it on my own. I acquired a sort of psychological barrier between me and asking for help. As life continued, so did the problems. I organised my first excursion into the unknown, a move to another country and job, without support from anywhere. I just confronted mum and dad with the final solution. That seemed to be OK with them, although mum was sure that the foreigners might do something to her little girl. Everyone was a foreigner that did not speak English or live within bus distance of our home.

I survived. It remains with me that I never actually ask for help, but have made progress and at least hope that someone can help me. Of course Mr. Swiss is always there to assist when I have one of my surprising falls, through lack of balance or not looking where I am going and he always picks me up. Even that is not always a success, we are both not growing younger. My days of rock are dwindling and I am slowly becoming gravel.

It is not that I actually prefer to rely on myself, but I never learnt it another way. I just cross my fingers and hope that a good Samaritan is near when something happens to me.


Click here for more

Thursday, 9 August 2007

Swiss Pop Music - Crocus



Photobucket - Video and Image Hosting



After having said a few words about old Swiss Rocker Polo Hofer, here is something that came a bit later, one of the first bands in Switzerland to export their music as far as America, to win Gold and Platin records and above all, the original members all more or less come from around the corner to where I lived, the town of Solothurn.

Krokus are the mother of all Swiss metal bands. Their most successful phase was in the 80’s when they won their gold and platin discs in America and Canada as well as in Switzerland. Their origins go back to the 70’s. In the small market town of Solothurn 5 young men launched in 1974 Krokus. (in English of course the flower: Crocus). The original formation consisted of Fernando von Arb (solo guitar), Chris von Rohr (singer, later bass guitar), Freddy Steady (drummer), Jürg Nägerli (bass guitar – later tone technician) and the lateTommy Kiefer (solo guitar). At this time Rock clubs were very sparse in Switzerland. Performance opportunities were also quite rare and the band decided to do something quite unusual. Krokus packed their bags and moved to Spain and the Mediterranean coast. They brought their aggressive sound (which it is was in the times gone by) to the bars, dives and tourst bunkers of the Costa Brava where they were welcome guests. The many gigs strengthened the band and added a professional note to their playing.

Back in the federal home territory of Switzerland they managed to land a record deal and released in 1978 “Painkiller”. The 1977 published “To You All”, was recorded with the band Montezuma with whom the Messrs. von Arb, Naegeli and Steady were playing at the time, before they dedicated themselves completely to Krokus. “Painkiller” sold itself quite well, but it was clear that a more experienced singer would do the band more than good – at this time Chris von Rohr was at the microphone, but later would change to bass guitarist. According to the motto “lets try the Maltese”, the Swiss found in Marc Storace the suitable voice with which he could reach unexpected heights and who also had a fair amount of blues in blood. This made the whole thing sound more smoky. With “Metal Rendevouz” they sold 150,000 units and brought triple platin into Switzerland.

As the degree of popularity of the band is now quite large, they quickly made use of the old material in the form of “Early Days” before they made the extremely good album “Hardware” with Jürg Nägerli as tone technician. “Winning Man”, “Celebration” and the hymn “Easy Rocker” are tracks which live are still popular. At some Gigs after the release in England, the band could test how Swiss metal sounded to English listeners. Apparently very well as “one of the best 20 Metal Acts” (Sounds) they were prepared for the jump over the channel and the Atlantic ocean. First US concerts as warm-up band for Blue Oyster Cult, Sammy Hagar and Molly Hatchet followed. 100,000 sold records are the result of the energy loaded shows in the States. After “Hardware” Tommy Kiefer was replaced by the young Mandy Meier, who had his baptism of fire on one of the England tours and the Krokus German concerts as support for April Wine, but for the next studio album recording had to make room for Mark Kohler (must mention that my husband played jazz with Mark Kohler’s older brother).

In the 1982 output “One Vice at a Time” ideas began to differ. The parallels at this time to the success of the Superstars AC/DC are more than evident. Although songs such as “Long Stick goes Boom” are well in front, the question about own creativity is often put. Nevertheless this album is the most successful in the history of the band. Songs such as the cover “American Woman” pave the way to the opening of the American market. The result: gold in the USA and Canada.

With “Headhunter” they accelerate even more and produce together with Judas Priest tone technician Tom Allom the most aggressive album up to now. Their status in USA and Canada stabilized itself with platin and gold. In Switzerland they had to make do with gold. In 1984 after a short guest appearance of Steve Pace as drummer, Jeff Kaven took over. With him Krokus also played “The Blitz”. After this release Chris von Rohr left the band because of disagreements with the band management. In the meanwhile they had arrive well into the 80’s and they celebrated internationally their best success with the fans in “Change of Address” and “Alive and Screaming” although the band were absolutely not satisfied with “Change of Address”.

In 1988 Chris von Rohr returned for “Heart Attack”, in the meanwhile Dani Crivelli being on the drums. The album did not sell so well and the descent was showing. A change had occurred with the original lineup. Fernando von Arb collected new musicians around himself and delivered with “Stampede” good work, but it is no longer a genuine Krokus. Swiss Flower Metal without warmed up material (“The Dirty Dozen” and “You ain’t seen Nothing Yet”) appeared in 1995 with “To Rock or Not To Be”. Chris von Rohr left the band forever and worked as producer and manager (for Gotthard) as well as a writing musician, his first book “Hunde wollt ihr ewig rocken?” (Dogs do you want to rock forever?) being a success in Switzerland. We have the book and it’s really good and very funny.

The next genuine output “Rock the Block” (only appearing in Switzerland) took 7 years to appear, during which time various members concentrated on their own projects. Marc Storace was performing with his own band, during which von Arb played guitar for the legendary Butthunter.

A film of the tour “Rock the Block” was made and the result appeard as live CD and DVD under the name “Fire and Gasoline”. After the release Fernando von Arb left the band. Mandy Meier replaced him. At the beginning of 2005 Krokus came together again and played in the United States after 17 years afterwards ontour in Russia. At the beginning of 2006 Kokus returned to the studio to work on a new record. In the meanwhile they were on a Germany tour with Axxis as support.

And that is Krokus more or less up to the present day. The musicians are often to be seen in our local town and my son often acts as “Roadie” for the various bands they play with, the last time being a week ago at a concert in Solothurn with Fernando von Arb on the guitar. Chris von Rohr is the most well-known today as he often appears on television. Generally speaking they are all very nice people, not spoilt and always have time for a talk if you happen to meet them in town. The various members have gone through a lot of ups and downs, but they still produce good music today.

Their official web site Krokus

This clip was one of the more recent